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Review Article Volume 6 Issue 6
Narration on ethnic jewellery of Kerala-focusing on design, inspiration and morphology of motifs
Wendy Yothers, Resmi Gangadharan
Department of Jewellery Design, Fashion Institute of Technology, USA
School of Architecture and Planning, Manipal Academy of Higher Education, Karnataka, India
Received: October 17, 2020 | Published: December 14, 2020
Citation: Yothers W, Gangadharan R. Narration on ethnic jewellery of Kerala-focusing on design, inspiration and morphology of motifs. J Textile Eng Fashion Technol. 2020;6(6):267-274. DOI: 10.15406/jteft.2020.06.00260
Abstract
Artefacts in the form of Jewellery reflect the essence of the lifestyle of the people who create and wear them, both in the historic past and in the living present. They act as the connecting link between our ancestors, our traditions, and our history. Jewellery is used--both in the past and the present-- to express the social status of the wearer, to mark tribal identity, and to serve as amulets for protection from harm. This paper portrays the ethnic ornaments of Kerala with insights gained from examples of Jewellery conserved in the Hill Palace Museum and Kerala Folklore Museum, in Cochin, Kerala. Included are Thurai Balibandham, Gaurisankara Mala, Veera Srunkhala, Oddyanam, Bead necklaces, Nagapadathali and Temple Jewellery. Whenever possible, traditional Jewellery is compared with modern examples to illustrate how--though streamlined, traditional designs are still a living element in the Jewellery of Kerala today.
Keywords: Ethnic ornaments, Kerala jewellery, Sarpesh, Gowrishankara mala, Veera srunkhala
©2020 Yothers, et al. This is an open access article distributed under the terms of the, which permits unrestricted use, distribution, and build upon your work non-commercially.